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Postby I'm with the pilots » Fri, 29. Dec 2006. 10:49

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De Morgen (6/01/2004, by Koen De Meester)
Who?
Sophia is the band of Robin Proper-Sheppard, who used to sing in The God Machine. So far Sophia have released two studio albums, full of slow and melancholy music. Halfway through the Nineties, Sophia seemed to be the last credible gothic rock band. Proper-Sheppard saved his hard rocking songs for his side project The May Queens, who have one album to their name.
What?
Now, after a five-year silence broken only by a live album, there’s a new release, People Are Like Seasons. The record combines the best of the two American songsmith’s sides. We get sweeping doomy songs with an acoustic backdrop, such as ‘Swept Back’, as well as hard rocking songs like ‘Darkness (Another Shade In Your Black)’. On top of this, Proper-Sheppard shows us that he can come up with a gem of a pop song. Look no further than the album opener ‘Oh my love’ for proof.
Our verdict
‘Oh my love’ is among the best songs that Robin Proper-Sheppard has ever written. Furthermore, the rest of the album shows a Sophia that sounds more diverse than ever. Not that it’s suddenly turned into a raucous party by any means, but People Are Like Seasons is at least a midwinter treat for the ear.
In good company with
The Black Heart Procession


Thestereoeffect.com (By Nick Farrow)
An almost terminally miserable document of death and it’s associated fallout it’s hard to find a sadder record than Sophia’s 1996 debut Fixed Water. The LP was recorded by Robin Proper-Sheppard after the sudden death of his long-time friend and bassist Jimmy Fernandez. Atmospheric, stripped to the bone, country-tinged acoustic songs sung by Sheppard’s heartbreaking and delicate voice walloped you over the head, flooring and skewering you through the heart. Two albums later and lyrically things haven’t cheered up that much for the ex-God Machine singer although on more than occasion you’re sure there’s a sly glint in his eye. Musically it seems Sheppard and collective of musicians have gone though something of an upheaval making People Are Like Seasons, their third album, Sophia’s most diverse to date.

“If a Change is Gonna Come” delves into the almost upbeat dirtied punk rock of Sheppard’s excellent May Queens side project. Distorted vocals spewing; “Life’s just a bitch and then you die....” over a “Man Who Sold The World” style buzzing guitar coda leaving you wondering if he’s sending himself up or not. On that thought if you scan the lyrics to “Holidays are Nice” and you’d be mistaken for believing that Sheppard is having a laugh at his own expense. Whatever he’s doing both are cracking tunes. Elsewhere “Darkness” comes close to the pounding dark atmospherics of The God Machine’s Scenes From the Second Storey which this LP borrows a song name and the look of the cover art.

What they still do best though is the likes of the country-tinged strum of “Swore to Myself” which would’ve slotted perfectly into Mazzy Star’s She Hangs Brightly and the gloom ridden sway of “Swept Back” and “I Left You” which are as close to the definition of 3am music as you’re likely to get, and by 3am music we’re not talking about being off you nut listening to techno.

Another excellent Sophia record then, with any luck and with a larger label behind them People Are Like Seasons might broaden their modest fan-base as on this evidence they deserve a much wider audience."


ovde se moze cuti po 1 pesma sa svih albuma
http://www.sophiamusic.net/audio.html

ne znam, ja to skinula, svideo mi se naziv albuma (imam tako neki ludacki kriterijum, tako sam "otkrila" tv on the radio, to rococo rot itd, samo na osnovu toga sto mi se svideo naziv benda ili tako nesto)
mislim nije nista bas sad specijalno, lepo bilo preslusati, cak gari ima malo glas koji podseca na mika dzigericu (sto nije lose, ne kazem nista)

:]


e da, link
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Postby I'm with the pilots » Fri, 29. Dec 2006. 11:00

idem dalje, nesto zaista dobro (ova sophia 'nako, nije lose al nije skroz u potpunosti nesto sta bih slusala cesto, al ovo vec je fino)

Gifts From Enola
"Loyal Eyes Betrayed the Mind"


par pesama za poslusati na majspejsu a dole je link za ceo album

eo sta kazu na Silent Ballet (jako dobar sajt! preporuka)

Perhaps the most striking thing about Gifts From Enola is the band's young age. While not a single member has broken out of the undergraduate ranks of James Madison University, they're the front-runners for the "Yndi Halda" award of 2006. Bestowing the "Release of the Month" title upon them is nothing to sneeze at considering that The Mars Volta and Red Sparowes both released new albums this month, but Gifts From Enola certainly have tackled quite a behemoth with its debut album and although the band doesn't compare to TMV's technical proficiency nor Red Sparowes' daunting presence, there is definitely something to be said for coherency in 2006. Besides, the sleekness of Loyal Eyes Betrayed Our Minds alone deserves some serious praise.

If it wasn't enough that this quartet has only recently left its teenage years, it's pretty miraculous that the entirety of the album was recorded in a dorm room (at JMU) and completely mixed and mastered by the band. Unfortunately no one in the band goes by the name Steve Albini, so Gifts From Enola score some major D.I.Y. points while simultaneously managing a full university workload. As one might expect, at the end of this critique it would be very easy to sit atop of my high horse and proclaim, "although the conceptual aspects of Gifts From Enola's music are near spotless, the production value does knock this effort down a notch or two," but such a criticism is surely nit-picking. Anyone who is at all accustomed to listening to independently minded artists won't find the sound quality anywhere out of the ordinary on Loyal Eyes, and since instrumental music has been largely founded on such ideals, it would seem quite odd to suddenly start making such brash comments. Still, the naysayers will always harp on something, so we'll give them that.

Onto the album itself, Loyal Eyes can most accurately be described as a concentrated blast of instrumental rock with heavy rock tendencies and small dabblings in experimentalism.
Surely Gifts From Enola is not the first forward thinking instrumental rock band, and of late we've seen several US bands emerge with very aggressive appetites with increasingly small metal influences (Shelter Red, Irepress). Yet, this niche in the music world was nowhere near perfected, and Gifts From Enola are making some major strides by making some very subtle post-rock infusions and instilling its music with the "epic" quality that had been so intricately removed during the "cock rock" parade. Undoubtedly this draws some Explosions in the Sky influence into the fold, but those Texans have (ironically) never rocked this hard.

From a critical standpoint, an instrumental rock album must contain three key components to really stand out. It first must succeed in grabbing the listener's attention. On first glimpse, this seems almost trivial to state, but in comparison to other instrumental genres (post-rock, neo classical, chamber rock, etc.) this is really a defining feature of instrumental rock. These bands receive the "rock" tag because they are loud, aggressive, and commonly employ traditional "rock" structures to motivate their tracks: intros and outros are generally kept short, breakdowns are utilized in all their destructive glory, guitars drop much of the ambient sounds for jarring riffs, and long, brooding soundscapes are offsetting to the momentum of the music. Secondly, repetition must be kept to a minimum. Again this seems almost too obvious to state, but many instrumental rock bands make a journey from post-rock into instrumental rock and much of the repetitive nature of post-rock is carried into the foreign terrain where it is not needed. Often when an instrumental rock band ventures off into seven or eight minute compositions the tightness of the track is compromised by bloated soundscapes and redundancy. Hence, it is key to bring a large amount of variety to the table; this is especially important because instrumental rock bands generally don't stray too far outside the guitar/bass/drum setup and whereas post-rock bands get away with repetition by sheer brute force of layering, an instrumental rock band has to work hard for diversity. Lastly, and perhaps most importantly, an instrumental rock band must prevent itself from becoming exhaustive. Due to the rather energetic nature of its music, instrumental rock doesn't have the momentum to carry itself through a 79-minute album. It does take quite a lot of skill to construct a 60+ minute album and keep the listener engaged (assuming you grabbed its attention in the first place!), and instrumental rock is not one where this had been done successfully. Keep it under 50 minutes if possible, and try as hard as possible to let the diversity of the work propel the album through that time span.

Unsurprisingly, Loyal Eyes Betrayed Our Minds is a shining example of what all instrumental rock bands should be doing. Gifts From Enola juxtapose elements of post-rock with a large hard-rock mindset and then allow an experimental bent to soften the edges. Structurally Loyal Eyes covers all the bases. Some songs explode out of the gates with blistering intensity and then recede slowly back into the sonic landscape with a timid disposition. Other times the band waits for the dynamic breakdown and sets the scene up with calm waves of ambience and scant field recordings. The longer tracks on the album "City Lights Scraped the Sky" and "Screaming at Anything that Move" see the band doing its best post-rock impression, undulating through passages densely populated with guitar riffs and those which contain only the solo beat of the drum or lone picking of the guitar. I find these two tracks to be the most indicative of the band's future; not only does the band break the mold and deliver the lengthy song in a digestible form, but we also see them delving into a slightly jam-oriented act. Had this been taken to its logical conclusion Loyal Eyes would liken have been ruined by the intangible meanderings of a reckless band. However, Gifts From Enola stay enough in form to keep the track moving along smoothly and this conscious move is a spectacular dessert to an already hearty meal.

I'd be lying if I said that Loyal Eyes didn't contain that spark that makes you want to listen to it repeatedly ad nausea. These four young men have a passion about the music they're creating that really makes the album an enjoyable experience. At the core of it, that’s really what music is all about. Youth often boils music down to the essentials, and Gifts From Enola shows exactly how captivating that can be.

As is generally the case with hit debut albums, what can we expect from the next effort from Gifts From Enola? It’s safe to say that the next album will be more mature (conceptually and physically) and maybe these guys will find a nice label that will want to throw them into the studio to get some “proper” music recorded. I’d hate to see this band become too polished; it’s rough exterior adds a lot of character and depth to the music. I do fully expect the band to flush out some of its experimental leanings that are approached every so timidly in Loyal Eyes, and the addition of some more instrumentations could add some flair to the band’s sound. The future is looking bright for this Virginian band.

~Jordan Volz
11/22/2006


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drug mi je poslao njihov majspejs, da preslusam, znajuci da volim jako TheMarsVolta, kao nesto slicno, i eto...al meni i ne lici na mars voltu tol'ko (mislim na one stare albume, ovaj novi i nikako da svarim nazalost, mnogo se cedric i omar pros*ravaju)

dakle ko voli malo postrockichnu atmosferu, al nesto frishko i drukcije, nek skine :]

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Postby I'm with the pilots » Sun, 31. Dec 2006. 13:54

novi DMST je kul skroz :]

DO MAKE SAY THINK: You, You're A History In Rust [Constellation, 2007]
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Since Constellation issued their self-released debut record in 1998, Do Make Say Think have made one critically-acclaimed album after another. They are one of the most consistently inventive instrumental rock bands of the past decade, and one of the most self-realised: DMST members themselves have recorded, mixed and mastered all the band’s work, developing a highly original and finely detailed approach to audio production. You, You’re A History In Rust is the fifth record by Do Make Say Think and a brilliant extension of the band's unique sonic narrative.

In many ways the new album picks up where Winter Hymn Country Hymn Secret Hymn (cst025, 2003) left off - acoustic fingerpicked guitars are the recurring compositional anchor, with drums and percussion fluttering around these campfire themes while horns and electric guitars gather in swarms. The songs on You, You’re A History In Rust develop like moths drawn to a flame, instruments tracing erratic circles around a flickering, elusive centre. This organic non-linearity will be familiar to fans of the band, as DMST has been honing this kind of overlapping, multi-thematic ebb and flow over the last couple of records. And as these fans know, DMST's approach to musical deconstruction is never academic, forced, or played merely for effect; it is always a matter of weaving the captured elements together with the mixing desk played like a master instrument. As with previous releases, DMST set up in remote locations for the main recording sessions, tracking these new songs at a cottage and barn in rural Ontario, Canada and returning to their Toronto homebase at th'Schvitz studio for overdubs and mixing by production wizards Charles, Ohad and Justin.

Album opener "Bound To Be That Way" puts all these elements on fine display: recorded rhythmic and melodic figures fade in and out along with found and recovered sounds, lead instruments slide and shift in the mix, and the band's dual drummers deploy separate channels of syncopated stutter. "A With Living" will surprise hardcore DMST followers, as it features full-on verse-chorus-verse singing that builds towards lovely massed vocals before breaking down again into a beautiful modal horn denouement. "The Universe!" and "Herstory Of Glory" serve as tight, snappy firecrackers set off within the rest of the album’s pensive, dusky atmosphere. Constellation is thrilled to release this fifth album by one of our most creative, thoughtful, challenging and accessible groups. The CD is available in a 6-panel cardstock jacket and the LP features DMM mastering at Abbey Road and is pressed on 180g virgin vinyl. Thanks for listening.



sa gorilla vs bear bloga
The simplistic and starkly gorgeous album cover (pictured above) is an early contender for the best album art of 2007.
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Postby mr._shankly » Sun, 07. Jan 2007. 13:29

Kristeen Young
Kill The Father
strangeways, here I come
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Postby I'm with the pilots » Sun, 07. Jan 2007. 16:01

hm a neki link?
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Postby samotajnica » Sun, 07. Jan 2007. 16:14

I'm with the pilots wrote:hm a neki link?

e njega ako budes nagovorila da da neki link svaka ti cast! 8)
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Postby I'm with the pilots » Sun, 07. Jan 2007. 18:47

ok a koja je onda POENTA? mislim ja stavim i link kao...
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Postby starpower » Sun, 07. Jan 2007. 19:10

pa dobro, super shto ostavljash linkove i hvala ti veliko na tome :), ali ja recimo veccinu muzike imam zahvaljujucci soulseek-u, pa je ok dati predlog.. go! linkovi, mada ja podrzzavam i bez linkova, pa ko nadje nadje.. opet mozze biti neshto dobro..
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Postby mr._shankly » Sun, 07. Jan 2007. 19:41

ama ljudi... greškom je Kristeen otišla na ovu temu, trebalo je da bude na 'now playing' temi...al' pošto me je iskritikovala samotajnica za upload evo link-a cd single-a, a i za one koje mrze da traže po soulseeku:

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inače, ovo je po Morrissey-u najbolja stvar koju je čuo u proteklih pedeset godina... koja eto sasvim slučajno izlazi za njegovu Attack etiketu 8)

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Postby I'm with the pilots » Sun, 07. Jan 2007. 20:08

nije da mene mrzi kopati po slsku, nego prosto jako mi sporo ide. dal je do mog rutera ili nesto ne znam, najvise koristim torente i direktan link
mislim ok je i napisati samo kao dati ideju, al ajte onda napisite tj citirajte od negde nesto o tome (jer realno ja zaista sam procitala one citate koje sam stavila za navedene albume. mozda gresim da to i nekog drugog interesuje sem mene?)
cisto da ne bude

bend X
album Y
i do vidjenja, ok?

:]

hvala na linku, evo skida se :]
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Postby mr._shankly » Mon, 08. Jan 2007. 1:17

I? Kako ti se čini piano/drums duo?
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Postby I'm with the pilots » Mon, 08. Jan 2007. 23:56

mr._shankly wrote:I? Kako ti se čini piano/drums duo?


fino fino :]
potrazicu jos :]

edit:
kristeen young - rotting on the vine
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Postby starpower » Tue, 09. Jan 2007. 23:56

eh pa evo.. dakle, kao shto sam vecc jednom rekla, bend HEAVENS. pevach alkaline trio-a, mada muzichki veze nemaju sa njima.

http://www.myspace.com/heavensbend
tu ima 4 pesme (leave lichni favorit, mada mozze i heather...)

http://www.epitaph.com/artists/artist/220#albdesc
i tak.. indzzoj.. :)
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Postby Antoan02 » Thu, 18. Jan 2007. 16:02

APOSTLE OF HUSTLE National Anthem of Nowhere (Arts&Crafts,2007)
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Postby samotajnica » Fri, 19. Jan 2007. 14:11

a evo sada i live-a o kome sam pricala juce na "sta slusamo"

ben gibbard - death cab for cutie live

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Enjoy!!
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Postby starpower » Sun, 21. Jan 2007. 1:48

dakle.. the album leaf.. divno.. onako.. 'sigurosasto'.. :)

http://www.myspace.com/thealbumleaf


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Postby I'm with the pilots » Tue, 23. Jan 2007. 17:27

okacila sam
Clinic Peel Session in 2000.
Yeah Yeah Yeahs' first EP, self titled

@
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jos

bondage fairies


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YYY itunes session

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Postby I'm with the pilots » Wed, 24. Jan 2007. 1:10

na
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novi Clap Your Hands Say Yeah - Some Loud Thunder

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Postby Antoan02 » Wed, 24. Jan 2007. 13:49

DEAN & BRITTA Back Numbers (Zoe Records,2007)
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Postby pa$a milet » Fri, 26. Jan 2007. 8:39

starpower wrote:dakle.. the album leaf.. divno.. onako.. 'sigurosasto'.. :)


The Album Leaf je bio predgrupa Sigur Ros-u u Americi na njihovoj turneji početkom ovoga vijeka(čini mi se 2001 ili 02). Inače sarađivali su i sa Amiinom ( gudačkom sekcijom koja svira sa Sigur Ros). Probaj Tristezu (ukoliko već nisi),LaValle-ov(između ostalih) off project, koja isto tavori u tim nekim post-rock/eksperimentalnim vodama.
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